So now I'm making **corn and bean blocks too. I made a test block, adjusted my measurements, trimmed my block to 12".
There's lots of different layout possibilities, see above pic. As you can see though, my original collection of HSTs were all very definite light/dark & light/medium combos, way way too stark. (maybe that's why things didn't gel for me with my original plan?)
Following along with Leah's process, I'm playing with the values a bit more. It'll be controlled scrappy, using lots of different, unrelated fabrics & sewing them into colour value groups.
Hopefully that will create some kind of shifting value effect across the quilt top without the value contrast being too stark in any one block.
Hmm-m-m- it's a bit of work admittedly. There has been some unpicking! And a bit of questioning if a particular fabric is very light, light, or medium light? I'm trying to decide these things quickly, and I'm happy if there's some blurring of the lines a little.
The jury's still out on my final layout, but here's a few design wall progress pics ...
**After a bit of researching, I found this comment from Jodi at tales of cloth ... I was amused this week to discover that 'Corn and Beans' can only be called Corn and Beans if it's made from yellow and green! The block was first published by the Ladies Art Company, who sold mail order patterns, somewhere between 1890 and 1906. Then along came Carrie Hall in the 1930s and claimed that if the colours weren't yellow and green, then the block was named Duck and Ducklings, or Hen and Chicks, or Shoo Fly, or Handy Andy.
No comments:
Post a Comment